Friday, January 4, 2008

dna music

Back in October, I had an opportunity to go to Wonderfest held at Stanford University. There I heard David Deamer, Professor of Chemistry at UC Santa Cruz, talk about and play his DNA music.


Remember that DNA stores the instructions for making you! DNA forms a "double helix" - a kind of twisted ladder in which the "rungs" are made up of nitrogenous bases (A, T, G, or C). A group of 3 of these base pairs is called a codon. Codons tell a cell what amino acid to build. Amino acids are the building blocks of proteins, and proteins are what make the body grow and do a lot of things.

We have a huge amount of DNA in each of our cells. If the DNA from just one of your cells was typed in books, a list of the 3 billion base pairs would fill 200 telephone books. That is from just one cell - and we have trillions of cells in our bodies, and most cells have a complete set of DNA! (kids genetics)
(Want to review more about DNA? Check out this really great animation watch this VERY weird DNA music video.)

Anyway, in his presentation, Deamer says, "If melodies are a sequence of notes, and DNA is a sequence of bases, maybe we can turn DNA into music." He went on to compose pieces with the following translation.

  • C (cytosine) = C on the musical scale
  • A (adenine) = A on the musical scale
  • G (guanine) = G on the musical scale
  • T (thymine) = E on the musical scale

For example, the insulin gene is coded "TTT GTG AAC CAA..." and so on. The DNA code dictates the notes played, but he does have some freedom with the timing.

You can hear the music if you watch the Wonderfest presentations online. Not surprisingly, it is also posted on YouTube. Fast forward to 16:00 if you would like to hear the part about insulin.



David Deamer also partnered with
Susan Alexjander, to create a far-out sounding CD called Sequencia.
In SEQUENCIA, raw data derived from the light absorption spectra of the four bases (adenine, cytosine, thymine, guanine) that make up the DNA molecule is converted into sonic frequencies. These are programmed to a Macintosh computer and sent to a synthesizer, and then arranged into four pitch collections (or four 'scales' based on the individual base molecules). These synthesized notes mixed with vocals, cello, tabla, and violin become the palettes for Alexjander's compositions, which range from somber and zen-like to fanciful and improvisational.
Another link gives specifics on the physics involved in this process.

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